Third Position

Third Position

The third position allows the object to become a message or dialogue that uses the body as a frame to showcase the message or metaphor that is being conveyed by the object.  “Such objects can be used as devices for the visible transmission of messages” (Astvalk, Broadhead, Derrez 2005:19). Visual messages, signs and metaphors linked to the objects are used as a form of communication (Astvalk, Broadhead, Derrez 2005:19). These subtle messages are picked up by the viewer as the item of jewellery may set off an emotional response due to sensory stimulus or through a triggering of a memory or thought (Damasio 1999:56).

Pictured below is one of Kelly Jean Conroy’s neckpieces, it utilizes the actual dead body of a squirrel. The piece was made to evoke emotions surrounding the idea of death:

Figure 2 – Conroy, K., Neckpiece. 
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Second Position

Second Position

The second position is occupied by objects that have been made to have concept or intention and that have been made with the body in mind is “appropriately termed Body Art” (Astvalk, Broadhead, Derrez 2005:19). This is where the concept or idea that the item of jewellery possesses becomes the main aspect of the piece. This allows the object of jewellery to merge with the body (Astvalk, Broadhead, Derrez 2005:19). 

Skubic P,. (1975) Jewellery Under The Skin  nugget of metal 
being implanted under the skin

First Position

First Position

Independent from the body is the first position that an object may take on. This does not speak about the actual position of the object but rather the role that it plays in the relationship with the body (Astvalk, Broadhead, Derrez 2005:18). Jewellery pieces in the first position are worn as a separate entity to the body that serves purposes none other than decoration and aesthetics. This type of jewellery is worn on the body, but the body has no engagement with the jewellery piece (Astvalk, Broadhead, Derrez 2005:18).



Pictured below is a Neckpiece by Kelly Jean Conroy that forms part of her 'wearable' collection that is for sale to the public.

Conroy, C., Wearable Neckpiece

Jivan Astfalck: Postitons of Jewellery

Jivan Astfalck: Positions of Jewellery

In her paper, Jewellery as a Fine Art Practice, Jivan Astfalck writes about the relationship between an object and the human body in broader terms. Astfalck sets aside three positions that jewellery may acquire in relation to the human body. These positions include the First, Second and Third positions that jewellery may take on in relationship with the human body.

Pictured below is a neckpiece by Kelly Jean Conroy. Conroy has created her jewellery to take on the third position as she works towards the concept of beautifying death.  

Figure 7 – Conroy, K., Neckpiece.
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